The Making of the Reine Panorama
Following the interest in Janet’s Reine panorama image, I thought a brief account of how this set of images came about might be of interest.
We’d arrived in Reine village on the beautiful Lofoten islands in the early afternoon after a hard day and half’s travelling, but by the time we’d found our accommodation and got settled in, it only left a little time for exploration. We’d done our research on the internet before embarking, so had some ideas about the area, but there’s nothing to compare with local knowledge. We had a meagre meal that evening using the limited cooking facilities in the cabin then turned in early full of excitement and anticipation for the following morning.
The alarm went off at 5.30am and we bounced out of bed, had a quick coffee and out into the cold winter wonderland. We were just thawing out the car and loading up when Bruce Percy and his party trudged up the street towards us. It was our love of Bruce’s work that first gave us the idea of going to Lofoten, so I bounded up to him and introduced us. He looked pretty taken aback, so we let him and his party move on and we got ready to move off.
Next problem, the sun was coming up quickly, so where do we go to take advantage of it? We had to move quickly, so drove out of the village and parked in the car park overlooking the village. The sky was looking great by now, but the foreground from the carpark was scruffy and all the time the light was strengthening.
Panic was starting to set in, this was going to be a lovely sunrise, but were we in a position to do it justice? I moved slightly to my left and managed to get a shot of the village without the scruffy undergrowth in the foreground, but it could be better.
Time to calm down a bit and engage my brain. Check the image on the monitor and consider how it could be improved and also do a recce of the immediate surroundings for a better composition, as well as check the histogram and camera settings.
As I looked around I spotted a steep track out of the carpark that led to a flat area with an uninterrupted view of the village and mount Olstind. This was definitely what I wanted! Once in place and set up, the light was getting fabulous, this was the moment we’d come here to experience and capture! A mixture of the crystal clear arctic light and calm conditions was giving us an opportunity to capture some beautiful images. Note to self, engage brain again and do a good job. By now the light on the mountains was fabulous, so I set up and captured a landscape format image.
Then set up to take it in portrait format.
Bingo, a nice image in the bag, then back down to earth as I remembered Janet was still in the carpark. I shot back up the track to help her down the slippery slope to my vantage point, but all the time I was conscious that the sunrise was happening very rapidly infront of us.
Time was marching on and the light was moving from that cold early morning blue and pink to a much warmer orange, but we were in the right position, so concentrate, work the scene and hone our compositions and keep checking that histogram.
Once set up Janet captured the warming light on Olstind, then it was time to work the scene further. As the light grew stronger, it became ever warmer and Janet was able to capture the panorama that was to become one of the highlights of the shoot.
All this happened in the space of just under an hour, so elated with what we’d witnessed, we returned to our cabin for breakfast and time to review what we’d captured. It was at this point I was mortified to see that I’d chopped the reflection off the Olstind image.
I’d been so wrapped up in capturing the sky I’d failed to follow my own rule of check and double check the composition. Everything happens so quickly in these situations, it’s hard to keep your mind fully open, but it has to be done and only comes with practice. Looking back on the positive side, this image I’m so disappointed with has just sold twice to magazines, so that I guess isa small consolation. As it turned this was by far the best morning of the trip, as the weather gradually closed in on us. Once home we were soon planning a return trip for the following year. Lessons had been learned, set out earlier, stay focussed and keep an open and active mind and above all check, check and check again. Our second trip was very good and allowed us to produce a strong set of images, but the conditions never compared with the morning I chopped the reflection off mount Olstind. It’s these little details that matter and I’ll never forgive myself for this silly error.